CV
KIM MORGANProfessor tel: +1-902-442-4202 |
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EDUCATIONMFA, University of Regina, Visual Arts Department, Sculpture/Installation |
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EXHIBITIONS RECORD |
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| 2022 |
Blood and Breath, Skin and Dust, solo exhibition Dalhousie University Art Gallery and off-site locations, September 2022-December 2022. Exhale/Inhale, Relic, Dalhousie University Campus, various locations, May-July 2022. |
| 2021 |
Dust Disruptors, various locations on the Dalhousie University campus, Fall 2021-Winter 2022. Stray Hair, Halifax Nocturne 2021. Blood Portraits, Dalhousie University McCain Building. Range Light Borden Carleton, Public Installation, Seabright NS. Integration of Cultures/Intersecting Boundaries, Winda C Gallery, Wrocław, Poland, June-Oct 2021 |
| 2020 | Blood Portraits, Dalhousie University campus site installations, Halifax, NS. |
| 2019 |
Anatomy of an Abattoir, in collaboration with Kaitlyn Bourden, commissioned for Nuit Blanche, Toronto, ON. Blood Galaxy 2, Intersecting Boundaries – Przenikajace Granice, Piastowski Castle, Jaworze, Poland. |
| 2018 |
RBC Fold, Imago Mundi-Great and North Group Exhibition, Onsite Gallery, Toronto, ON. Counter Monuments 1, 2, 3, in collaboration with Dr. Bruce Anderson, Common/Uncommon Ground, Minas Basin, NS.Blood Galaxy 2, Festival dell’ Arte, Valley of Palaces of Gardens, Poland. Blood Galaxy, 2018 Art Bank Purchase Exhibition, Anna Leonowens Gallery, Halifax, NS. Sigh, Public Notice Exhibition, Robert McLaughlin Gallery, Oshawa, ON. Corpulence, Fat(e) Chairs, Unpacking The Livingroom, Mount Saint Vincent Gallery, Halifax, NS. Blood Work, Mentorship Exhibition, The Craig Gallery, Dartmouth, NS. |
| 2017 |
Blood Galaxy, Photopolis: The Halifax Festival of Photography, Billboard, Halifax, NS. Big Pictures, Anna Leonowens Gallery in partnership with Photopolis: The Halifax Festival of Photography, Halifax, NS. Range-Light, Borden-Carleton, PEI, 2010, National Arts Centre, Ottawa, ON. RBC Fold, Canadian Imago Mundi, Palazzo Loredan, Istituto Veneto di Scienze, Lettere e Arti, Venice, Italy. Blood Group # 2, Anna Leonowans Gallery, Halifax, NS. |
| 2016 |
sigh, Artpace San Antonio, San Antonio, TX. Blood Group, permanent public art installation, pedestrian concourse, CHEB, Dalhousie University, Halifax, NS. |
| 2015 |
Blood Work, p|m Gallery, Toronto, ON. Blood Work, Art Toronto, Oct 2015. Range-Light, Borden-Carleton, PEI, 2010, Beaverbrook Art Gallery, Fredericton, NB. Range-Light, Borden-Carleton, PEI, 2010, Oh, Canada Exhibition, Calgary, AB. |
| 2014 |
Blood Work, Oh, Canada, Exhibition, Owens Art Gallery, Sackville, NB. Range-Light, Borden-Carleton, PEI, 2010, John Michael Kohler Art Center, Sheboygan, WI. |
| 2013 |
The Volcanic Field Project, Weakforce 4, Unified Field Theory Collaboration, St Paul St Gallery Auckland. in pulse, (collaboration w/ Ellen Moffat), Poeticizing the Urban Apparatus: SCENES OF INNOVATION – conference art exhibition, New York City. Unified Field Theory, The Weak Force 2, Collaborative Sound Installation with Matthew Sansom, Paul Cullen, Andy Thomson, Laresa Kosloff, Bruce Barber, Kim Morgan, Lewis Elton Gallery (Surrey University Gallery UK). 13 Artists in the Studio, co-produced by Kim Morgan, Garry Snyder, Michael St.Johns. New York City, Public Broadcast Television, 1996. 26 Artists Interviews with artists such as; Jessica Stockholder, John Curin, Denise Oppenheim. |
| 2012 |
in pulse, Place Markers: Mapping Locations and Probing Boundaries Exhibition, Dalhousie Art Gallery, Halifax, Sept 2012. Collaboration w Ellen Moffat. Range-Light, Borden-Carleton, PEI, 2010, Oh, Canada Exhibition, Mass MOCA, May 2012/2013 Range-Light, Borden-Carleton, PEI, 2010, Confederation Centre Art Gallery, PEI, Oct – March 2011 Pot Shots, Rural Readymades Exhibition, Kenderdine Art Gallery, Saskatoon, SK, and Pot Shots, Rural Readymades Exhibition Southern Alberta Art Gallery. |
| 2011 |
Unified Field Theory, Exhibition Collaboration with Bruce Barbar, Andy Cullen, Andy Thomson, Lareesa Kosloff, Anna Leonowan’s Gallery, Halifax Antsee, Installation, Commissioned by the City of Regina,Victoria Park, Regina, SK. May 2011. Rural Readymades, Confederation Centre, Art Gallery, PEI. Summer 2011 2020 Vision, Nocturne Halifax 2011 (w/David Clark), Public Sculpture Commission, Halifax Regional Municipality, Halifax, Canada. Waterfall, (w/David Clark, Rachelle Viader Knowles, David Ogbourn). CAFKA, (Contemporary Art Forum Kitchener and Area), Windsor, ONT. |
| 2010 |
Range Light, Borden-Carleton,PEI, 2010, Solo Exhibition, Mount St. Vincent University Gallery, Halifax, Canada. Corpulence, Beneath the Surface, 3 Artist Exhibition, Mount St.Vincent University Gallery, Halifax, Canada. Waterfall, (w/David Clark, Rachelle Viader Knowles, David Ogbourn). Third Space Gallery at the Saint John City Market, St. John, NB. |
| 2009 |
Nocturne 2009 Festival, Halifax, Canada. Corpulence installation at Attica. New Faculty Exhibition, Anna Leonowan’s Gallery, Halifax. Contraband, (w/ Francis Dorsey and Wilma Needham), Port Loggia Gallery, NSCAD University, Halifax. |
| 2008 | Public Commission for IEEE Organization, Permanent installation at the University of Regina, Engineering/Education Building. |
| 2007 |
Armed, Solo Exhibition, Cynthia Broan Gallery, New York, NY. Miami Scope Fair, Cynthia Broan Gallery, NYC. London Scope, Fair, Cynthia Broan Gallery, NYC. Basel Scope Fair, Cynthia Broan Gallery NYC. Scope Fair New York, Cynthia Broan Gallery, NYC. |
| 2006 |
Time Transit, Public art installation in collaboration with TRLabs. Located on a citybus, and bus stops along Route #4, Regina, www.timetransit.com Site Reading, Group Exhibition, MacKenzie Art Gallery, Regina. Vehicle in digestion, Resisting Arrest, Towards Sustainability, Group Exhibition, Dunlop Art Gallery, Sherwood Branch, Regina. |
| 2005 |
Data S p a c e d, sound and video installation located in the pedestrian concourse of the new residencies, U of R. Collaboration, TRLabs Regina. Virtual Groceries – a public intervention, downtown Regina, w Prof Rachelle Viader Knowles, Prof Christine Ramsay and New Media students, University of Regina. |
| 2004 | To Conjure, “In digestion/digestion”, Group Exhibition, Dunlop Art Gallery, Regina, Curated by Sigrid Dahle. |
| 2003 | Skinning Place, Trans/forming Memory, Solo Exhibition, MacKenzie Art Gallery, Regina, Canada. |
| 2002 |
Renewal and Pulling from Memory, The Weyburn Project. Two site-specific installations at the Weyburn Hospital, August 2002. Looking In From the Outside of a Rubber Tree, Lanterns on the Lake,Regina, SK. Sponsored by the Dunlop Gallery. |
AWARDS |
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| 2017 | 2017 Established Artist Recognition Award 2017, Creative Nova Scotia, Arts Nova Scotia |
| 2016 | Artpace San Antonio, International Artist-in-Residence, San Antonio, Texas. |
| 2014 |
Humanities HEALS Artist-in-Residence Program, Dalhousei Medical School, Dalhousie University, Halifax. Rauschenberg Residency, Rauschenberg Foundation, Captiva, Florida. |
| 2012 | Lieutenant Governor of Nova Scotia’s Masterwork Award. NSCAD Presidents Award of Excellence. |
| 2005 | City of Regina’s Mayors Award for Innovation and the Arts. |
| 2004 | Residency Scholarship, Santa Fe Art Institute, Santa Fe, NM. |
| 2003 |
Doris and W.A. Riddell Graduate Scholarship, University of Regina. Graduate Scholarship, Faculty of Graduate Studies and Research, University of Regina. |
| 2002 |
Teaching Fellowship, Faculty of Graduate Studies and Research, University of Regina. Teaching Assistantship, Faculty of Graduate Studies and Research, University of Regina. |
| 2001 | Entrance Scholarship, Faculty Graduate Studies and Research, University of Regina. |
| 1992 | Family Rhodes Award for Outstanding Achievement in Fine Arts, Convocation, School of Visual Arts, NYC. |
GRANTS |
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| 2021 | Arts Nova Scotia Grants to Individuals |
| 2020 | Arts Nova Scotia Special Project Grant, Dalhousie University Art Gallery Commission |
| 2019 | Canada Council for the Arts Professional Development Grant |
| 2016 |
NSCAD Internal SSHRC Research and Development Fund Individual Creation Grant, Arts Nova Scotia Artpace San Antoni, International Artist-in-Residence, Artist Grant |
| 2014 |
GRAND NCE Ad Node Grant. Canada Council for the Arts Project Grant for Arts Organizations. |
| 2011-2014 | Social Science Humanities Research Council (SSHRC) Research and Creation Grant w/ Prof. Solomon Nagler (NSCAD University), Prof. Martha Radice (Dalhousie University). Tracing the City: Interventions of Art in Public Space. |
| 2013 | Nova Scotia Tourism Culture & Heritage Culture Division, Professional Development Grant. |
| 2012 |
Canada Council for the Arts Project Grant for Arts Organizations. ASU (Aid to Small Universities) SSHRC Seed Funding, CineFlux |
| 2011 | Nova Scotia Tourism Culture & Heritage Culture Division, Presentation Grant. |
| 2009/2011 | ASU SSHRC Seed Funding, CineFlux. |
| 2009 | Nova Scotia Tourism Culture & Heritage Culture Division, Individual Grant. |
| 2007 | Canada Council for the Arts, Travel Grant. |
| 2006 |
Saskatchewan Arts Board, Individual Grant-B, Visual Arts. Saskatchewan Arts Board, Project Grant. |
| 2005 |
The Banff Centre for the Arts Financial Assistance Grant, Optic Nerve Residency Fall 2005. Centre for Sustainable Communities Grant, Regina, SK. |
| 2003 | Saskatchewan Arts Board Professional Development Grant, Visual Arts, Grant-C |
| 2002 |
Canada Council for the Arts, Inter-Arts Project Grant. Vice President of Academic Project Grant, University of Regina. |
ACQUISITIONS AND COMMISSIONS |
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| 2020 | Arts Nova Scotia Special Project Grant, Dalhousie University Art Gallery Commission |
| 2019 | Blood Sample, Bruce & Kim, Nova Scotia Art Bank Program Requisition, 2019. |
| 2018 | Blood Galaxy, Nova Scotia Art Bank Program Requisition, 2018. |
| 2017 | Blood Galaxy, Photopolis Public Billboard Commission, Halifax, October 2017. |
| 2016 | Public Art Commission for the CHEB/Tupper Buildings Pedestrian Concourse, Fall 2016. |
| 2011 | Open Program, HRM, 2020 Vision, Nocturne Halifax 2011 (w/David Clark), Antsee, Public Commission, City of Regina, Victoria Park, Regina, SK. (2001/2011) |
| 2010 | Acquisition of Corpulence, 2009, Collection of Mount Saint Vincent University. |
| 2009 | Commission from the Canadian Wildlife Federation (Waterfall). |
| 2008 | Public Commission for IEEE Organization. Permanent installation at the University of Regina, Engineering/Education Building. |
SCHOLARLY PUBLICATIONS |
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| 2021 | Counter-monuments the Expulsion of the Acadians (with Dr. Bruce Anderson) in Ethnic Diversity, Plural Democracy and Human Dignity, edited by Dr. Mario Krešić, Springer, 2021. |
| 2018 |
At Home: Talks with Canadian Artists about Place and Practice, Lezli Rubin-Kunda, Goose Lane Publishers, 2018. Putting the Public in Public Art: An Ethnographic Approach to Two Temporary Art Installations. Radice, Martha, City & Society, 30(1), 45-67. doi:doi:10.1111/ciso.12155 La représentation et la préservation de la pollution: Le vivre-ensemble et ses résidus » dans Le vivre-ensemble à l’épreuve des pratiques culturelles et artistiques contemporaines, Ève Lamoureux et Magali Uhl (sous la dir.), Québec, Presses de l’Université Laval, accepté, parution prévue automne 2016 ou hiver 2017. https://www.pulaval.com/produit/le-vivre-ensemble-a-l-epreuve-des-pratiques-culturelles-et-artistiques-contemporaines |
| 2017 |
Subverting Surveillance: Power and Incivility in Public Transit Art, Martha Radice and Brenden Harvey, in Public Art Encounters, ed. Martin Zebracki and Joni Palmer, Routledge, 2017. Field Notes: Body Rhythms in Urban Spaces, co-written with Ellen Moffat in Urban Encounters: Art and the Public, Radice, M., & Boudreault-Fournier, A. (eds) (2017) Montréal: McGill-Queen’s University Press. |
| 2012 |
The Sensory City Workshop: Sensing the City through Touch and Taste, Howes, David, Kim Morgan, Martha Radice, and David Szanto. 2013. Montréal: Centre for Sensory Studies Working Paper Series, Concordia University. https://halshs.archivesouvertes.fr/file/index/docid/745030/filename/ambiances2012_radice.pdf Affective Space, Locative Bodies, with Ellen Moffat, ed. Jean-Paul Thibaud and Daniel Siret. Ambiances in action: Proceedings of the 2nd International Congress on Ambiances / Ambiances en actes : Actes du 2nd Congrès international sur les Ambiances (Montréal, 19-22 -September 2012). Grenoble: International Ambiances Network / Réseau International Ambiances. Available on-line at http://halshs.archives-ouvertes.fr/halshs-00745030/ Rita McKeogh, Interview, Oh, Canada: Contemporary Art from North America, ed. Dennis Markonish, Cambridge, Mass., The MIT Press, 2012. 129-131. Beyond the Text: Critique and Creativity (with B. Anderson) ed. Z. Bankowski, P. Maharg and M. Del Mar, The Arts and the Legal Academy: Beyond Text in Legal Education, Volume One, London: Ashgate, Chapter 13, 213-223, 2012. Traces of Time Transit: Co-creating ambiance in a mobile art installation, by Dr. Martha Radice. p. 299-304 in Jean-Paul Thibaud and Daniel Siret (eds.) Ambiances in action: Proceedings of the 2nd International Congress on Ambiances / Ambiances en actes : Actes du 2nd Congrès international sur les Ambiances (Montréal, 19-22 September 2012). Grenoble: International Ambiances Network / Réseau International Ambiances. Available on-line at http://halshs.archives-ouvertes.fr/halshs-00745030/ |
| 2011 | Tracing the City: Exploring the Private Experience of Public Art through Art and Anthropology, with Martha Radice and Solomon Nagler, ISEA 2011, (International Society of Electronic Art), Sabanci University, Istanbul, Turkey, September 2011. http://isea2011.sabanciuniv.edu/paper/tracing-city-exploring-private-experience-public-art-through-art-and-anthropology |
| 2009 |
Window (dis)plays, Off Base: Contemporary Perspectives in Canadian Public Art, ed. Annie Gerin, James McLean. University of Toronto Press, 2009. Off the Plinth, Espace Magazine, with Robin Metcalf. Interview essay on Public Art in Halifax. Summer 2009. Activating Memory, Pre-serving Place, by Kim Morgan, sighting/citing/siting, Crossfiring/Mama Wetotan, ed. Kathleen Irwin and Rory MacDonald, Published by the Canadian Plains Research Center, University of Regina. Spring 2009. |
| 2008 | Public Space as an Interface for Technology Research and Art, with Craig Gelowitz, M. Eng, Kim Morgan, M.F.A., Dr. Luigi Benedicenti, P. Eng. The International Journal of Technology, Knowledge and Society, Vol. 4, 2008. |
| 2006 | Running a-way towards home, Secret Regina, ed. Lorne Beug, Anne Campbell, Jeannie Mah, Canadian Plains Research Centre Publishers. |
| 2004 | Conference Proceedings Publication, Crossing Over: Negotiating Specialization in an Interdisciplinary Culture, ed. Kim Morgan, Canadian Plains Research Centre Publishers., June 2004. |
SCHOLARLY PRESENTATIONS AND DISCUSSIONS |
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| 2020 | Interrogating “Public” in Public Art: Evaluating Efficacy, True Intentions and Meaning in Art for All, University Art Association of Canada (UAAC), panel presentation, on-line October 2020. |
| 2019 | Counter-monuments the Expulsion of the Acadians, presentation by Dr. Bruce Anderson and Kim Morgan, Ethnic diversity, plural democracy and Human Rights in Europe. Lucerne Switzerland, July 2019. |
| 2018 |
Counter-monuments, Artist Presentation with Bruce Anderson, Acadia University. Materiality, Artist Presentation, SNAP Gallery, Edmonton, Alberta. |
| 2017 | Materials Matters, Struggles with the Digital Technology and the (Em)Body/i(ed), The Fourchettes Seminar, NSCAD University. |
| 2016 | Lab/Work, Experiments in Art and Science, key- note presentation, Blood, Brains and other Trains, Colloquium Concordia University Oct, 2016. |
| 2015 | Artist’s Presentation, The Nickel Gallery, University of Calgary. Part of the Oh Canada Exhibition. |
| 2014 |
Probing: Art, Medicine, Science and Technology, Artist-in-Residence, Medical Humanities-HEALS, Dalhousie University. Embodied Landscapes, Cinema in Space, Cinema in Ruins Panel, Cineflux Conference 14, NSCAD University. |
| 2013 |
Urban Encounters: Art and the Public, Conference, Halifax, NS, Oct 10-12. Guest Artist/Lecturer, Mount Alison University and the Owens Art Gallery, Sackville, NB. SKIN: Surfaces of the City, a public sensory walk with Dr. Martha Radices at the Canadian Centre for Architecture, Montréal, March 31. |
| 2012 | Affective Space, Locative Bodies, with Ellen Moffat, 2nd International Congress on Ambiances, Center for Canadian Architecture, Montreal, September 2012. |
| 2011 |
Tracing the City: Exploring the Private Experience of Public Art through Art and Anthropology with Martha Radice, ISEA 2011, Istanbul Turkey, September 2011. Tracing the City: Interventions of Art in Public Places, Cineflux Conference, Co-Chair of panel, , NSCAD, Halifax, May 2011. |
| 2010 | Public Art in Nova Scotia, Third Space Gallery, Public Panel, St. John’s New Brunswick, December 2010. |
| 2009 | Guest Artist/Lecturer, Yale University Graduate Program, Visual Arts. November 2009, (Artist Public Presentation, Individual Studio Visits with Graduate Students. |
| 2008 |
Public Space as an Interface for Technology Research and Art, Conference Presentation, Technology, Knowledge and Society, Boston, USA. Explorations in Contemporary Public Art, Guest Speaker, APAGA, (Atlantic Province Art Gallery Association), AGNS, June 2009. Public Art, Panel Participant, Art Gallery of Nova Scotia, March 27, 2009. Dorkbot, Valencia, Spain, March 2008, http://dorkbot.org/dorkbotvalencia/ |
| 2007 |
Guest Artist, New York University, Visual Arts Department. Guest Lecturer, FA 300/ART 380 “Mapping Illness”, U of R, Instructor Prof. Randal Rogers. |
| 2002 & 2003 | Guest Lecturer, University of Regina, “Phenomenology”, Art History 301, University of Regina. |
EXHIBITION CATALOGUES |
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| 2018 | Public Notice, ed. Sonya Jones (Curator), The Robert McLaughlin Gallery, 2018. https://issuu.com/thermg/docs/public_notice_catalogue_-_final |
| 2016 |
Out of the Bush Garden, curated by Francesca Valente, published by Antiga Edizioni, 2016. Weakforce4, split/fountain publishing, Auckland, New Zealand, 2016. |
| 2015 | Writing Topography: The Marion McCain Exhibition of Contemporary Atlantic Art, ed., Corinna Ghaznavi, Beaverbrook Art Gallery, Fredericton, NB, ABC Art Books Canada Distribution, 2015. |
| 2012 |
Kim Morgan: Range Light, Borden-Carleton, PEI, 2010, ed. Ingrid Jenkner, Halifax, MSVU Art Gallery and Confederation Centre Art Gallery, 2012, 33 pages. Oh, Canada: Contemporary Art from North America., ed. Denise Markonish, Cambridge, Mass., The MIT Press, 2012. pages 316-319. Place Markers: Mapping Locations and Probing Boundaries, e-catalogue, ed. Peter Dykuis, Dalhousie Art Gallery, 2012. |
| 2010 | Beneath The Surface, ed. Katie Belcher and Ingrid Jenkner, Halifax, MSVU Art Gallery, 2010. |
| 2005 |
Resisting Arrest, Seeking Sustainability, ed. Felipe Diaz and Annette Hurtig, Dunlop Art Gallery, Regina 2005 Art spots, CBC Television Canada. A vignette series on Saskatchewan Artists, to which I am 1/10. |
WRITINGS AND REVIEWS |
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| 2018 | A Rural Art Road Trip, Elissa Barnard, https://canadianart.ca/features/a-rural-art-road-trip/ |
| 2017 |
Photopolis in Halifax, Photolife, Halifax, September 2017. https://www.photolife.com/2017/09/photopolis-in-halifax/ Mémoire de latex, Débrouill Arts, Montreal, Quebec, April-May 2017. |
| 2016 |
Denise Markonish, I Carry You With My Blood, 2016. Joshua De Costa, Arts and Sciences Colloquium Matches and Makes, Mixes and Creates. The Link Newspaper, Concordia University, Montreal. |
| 2015 |
David Jager, Bloody Good: Art meets anatomy in Bloodwork. NOW Magazine On-line, October 21, 2015. The Daily Gleaner, “A creative legacy lives on at the Beaverbrook Art Gallery” Fredericton, NB daily newspaper. Front page, September 26, 2015. Rebecca Goodine, In their words: Conversations with Writing Topography artists. Beaverbrook Art Gallery interview on-line. |
| 2013 | Elizabeth Hay, Range Light Borden-Carleton PEI, 2010. Blog review on-line. |
| 2012 |
Ingrid Jenkner, Signifying Softly, Kim Morgan: Range Light, Borden-Carleton, PEI, 2010. ed. Ingrid Jenkner, Halifax, MSVU Art Gallery and Confederation Centre Art Gallery, 2012, 15-33. Nancy Tousley, Oh, Canada: Notional Dreams, Canadian Art On-line, May 31-June 6, 2012. Elissa Barnard, NSCAD roots on display, Chronicle Herald, May 26, 2012. |
| 2010 |
Canadian Arts Magazine: “Kim Morgan: Light Years” Canadian Arts Magazine, “Sue Carter Flinn’s Top 3: Atlantic Above All” Akimblog, 2010 CRITICS’ PICKS 12/14/10 CBC PEI, Live at 5, June 4, 2010.Canadian Wildlife Federation Sean Flinn, Water Works, The Coast, February 11, 2010. |
| 2006 |
The Leader Post, Time Transit, by Jack Anderson, Nov. 29, pg. 12. The Prairie Dog, “Kim Morgan”, by Greg Beatty, Oct 26, Cover, pg. 23. The Arts Report, CBC TV 6 pm News, Sept 20, 2006. Secret Regina, “Running a-way towards home” by Kim Morgan, ed, Lorne Beug, Anne Campbell, Jeannie Mah, Canadian Plain Research Centre Publishers. |
| 2005 |
The Arts Report, CBC Radio, by Joanne Skidmore. Encyclopedia of Saskatchewan, Canadian Plains Research Centre Publishers. Forum Magazine, “No Business Like the Art Business”, by Mike Taylor, Jan/Feb 2004 edition. Article on public art in Canada that mentions my work Antsee. Zigzag, CBC Radio Canada Television Network, Jan 12, Channel 3. Interview at the MacKenzie Art Gallery, on “Skinning Place, Trans/forming Memory”. Espace Magazine, “Antsee: Kim Morgan”, by Greg Beatty, Winter, 2003-2004. |
TEACHING POSITIONS |
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| 2008-present | Tenured Fulltime Faculty, NSCAD University, Halifax, Canada. Promotion to Full Professor in 2018. Courses include: Intermediate Sculpture, Advanced Sculpture, New Perspectives in Contemporary Sculpture, Seminar, Installation: Site, Space, Intervention, Art in Public Places (graduate course), Ideas and Process, Landmarks 150, The Airport Project, Program Supervisor MFA students, StudioSupervisor MFA students, MFA Thesis Committee Member. |
| 2012-2013 | Non-Residency MFA Studio Advisor, Maine College of Art (MECA), Portland, ME |
| 2002-2007 | Sessional Instructor, University of Regina. |
| 2006-2008 | Resident Artist/Researcher TRLabs Regina. I created and developed interdisciplinary projects with researchers and students (undergraduate and graduate) from the University of Regina. |
ART RELATED WORK EXPERIENCE/RESIDENCIES |
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| 2019 | 2019 Artist-in-Residence, Pelling Lab, University of Ottawa, Ontario. |
| 2018 | SNAP Artist-in-Residence, Edmonton, Alberta. |
| 2016 | Artpace San Antonio, International Artist-in-Residence, San Antonio, Texas. |
| 2015 | Artist in Residence, Medical Humanities-HEALS, Dalhousie University, Halifax. |
| 2014 | Artist in Residence, Rauschenberg Residency, Rauschenberg Foundation, Captiva, Florida. |
| 2005-2008 | Resident Artist-Researcher, TRLabs, University of Regina. |
| 2005-2006 | Researcher for China/Asian New Media Art Exhibition. In collaboration with Dr. Sheila Petty, Dean of Fine Arts, University of Regina. Research Travel, July/Nov. 2005 (Beijing/Shanghai), Mongolia, 2006. |
| 2004/2005 |
Artist in Residence for the Faculty of Fine Arts/New Media Studio Lab/TR Labs. Artist in Residence, Optic Nerve Residency, The Banff Centre. |
| 2004 | Artist in Residence, Santa Fe Art Institute, New Mexico. |
| 2002 | Conference Coordinator/Organizer “Crossing Over: Negotiating Specialization in an Interdisciplinary Culture, University of Regina. |
| 1994-1995 | Co-Producer and Interviewer, 13 Artists in the Studio, for MNHT, Channel 16, New York City. The Ronald Feldman Fine Arts, NYC. Exhibition Installations and Project Assistant for Gallery Artists. |
| 1994/1995 | Project Coordinator, Urban Arch, Celebrating the NYC Workers, by Mierle Lederman Ukeles. Sept 1994-March 1995 |
| 1992-1994 | Research Assistant to Directors/Curators: Mikoto Shindo, (Japan) and Ellen Price, (NYC), for the project New York: A Magnet For Artists Exhibition, Tokyo Metropolitan Museum of Art. |